Choosing the Opacity of Your World-Building

Among the multitude of differences that separate the practice of reading from the art of writing, especially when it comes to the fantasy/science fiction genres, one of the hardest to reconcile is that of world-building. For a reader, the setting cannot take center stage. Even for someone like me, who loves to explore new settings … More Choosing the Opacity of Your World-Building

Setting Study: Fennbirn from Three Dark Crowns

When it comes to conceptual world-building, Three Dark Crowns by Kendare Blake did well at integrating various core elements of the setting itself, with a few critical misfires that flubbed the ending. Still, the blend of various magics is unique enough, and its effects on the culture plausible enough, that it sets Fennbirn apart from … More Setting Study: Fennbirn from Three Dark Crowns

Setting Study: The Harbor from The Starless Sea

The Harbor from Erin Morgenstern’s The Starless Sea is an interesting place as far as Narnia-esque places go. Set beside the honey-filled titular Starless Sea, the Harbor isn’t exactly one place, but one of many. Set apart from the “real world” by magic doors, it is a place of wonder and beauty. As the years … More Setting Study: The Harbor from The Starless Sea

On Magic and Writing

Recently I watched a video by Daniel Greene called “Dear Authors: Writing Magic Systems,” in which he discussed hard magic versus soft magic, and why one isn’t necessarily better than the other. If you aren’t familiar with his videos, I would check them out as Daniel posts fantasy-related content, like me, but better. If you … More On Magic and Writing